Last night I took to the kitchen.


I put a chicken in the slow cooker, set the oven to 400º,
cut and cleaned kale, mustard greens, and sweet potatoes,
grated ginger and ground cardamom,
greased pans and set dough aside,
diced onions and poured honey.

The oven saw bread rise on a stone,
kale dry out in a tray,
potatoes roast in a skillet,
while the stove sauteed greens
and the cooker stewed.

And all the time I thought of family.

Sunday, my mother called to tell me that Aunt Esther had died.
I never knew Aunt Esther. She was 97 when she passed;
she had been my maternal grandfather's younger sister.
That grandfather had been a brutal man.
More evidence of his brutality surfaced on Aunt Esther's passing.
For close to 80 years, Aunt Esther kept a secret:


I had always known my mother's father had had a sister named Esther and a sister named Viola. My mother knew her Aunt Esther and her Aunt Vi, who died long ago. She never told me about Aunt Irene and Aunt Ida (and no one has yet to mention Aunt Mary, though we learned this past weekend that there was an Uncle William and that he died in infancy).

On Sunday, my mother asked me if I had time to hear a tale.

Just before Aunt Esther died, my mother, Dale, and her sister, my aunt Didi, received a letter from three first cousins they did not know they had. The letter began: "We Are Your Cousins."

As a child, my mother knew she had cousins that she was not allowed to meet, though the why was never given. My mother's father was a violent man. He beat his family and no one questioned his authority. He made a lot of money and many people attended his funeral in 1958, but no one remembers him fondly. The only son of Italian immigrants, he was given authority over the family when his father died. He was fifteen at the time.

His older sisters, Ida and Irene, married African American men and so he turned on them. He excommunicated them. As it turns out, he really excommunicated himself, his children, and his grandchildren (me and my only cousin, David).

I am ecstatic to discover this family I did not know existed. On my mother's side, there have always been secrets. I have gone after them over the years and some have yielded, though not in accordance with my schedule. I had been told as a child that I had French ancestry, but pressed my mother on this in my teens and learned that her father had covered his Italian heritage with a false French identity. Aunt Ida and Aunt Irene's husbands were not good enough for him,
but apparently he was not good enough for him, either.
His wife and his daughters were not good enough;
and no doubt, had he lived to meet me,
I would have been inferior since my father was a Jew.

I can imagine Aunt Esther capable of keeping this secret had she not known her sisters' children and their children's children, but all this time she knew both branches of the tree. My grandfather died in 1958. Aunt Esther kept the family apart for another fifty-five years. What was her logic? Or had her brother been as brutal to her as he had been to his daughters? Had he committed acts of violence against everyone? Had everyone internalized the fear? Was everyone split on the inside the way the family was split from itself?

This is the beginning of the retelling.
There are more family stories,
but they are not mine to tell.
Legacy is a tricky beast.
This week, I am hopeful
and I feel a bit of triumph
over secrets and evil and ill-will.

I want to thank my
Cousin Audrey
Cousin Bobbie
Cousin Phyllis
for facing potential rejection
and tracking down my mom and my aunt,
me and my cousin Dave.

We were lost; and now we're found.




FiberPaperClub

Wednesday, October 9, 2013

Remember these excellent turmeric dyed swatches from last week?
This week, FPA put them to good use.

The Golden Triangle Quilt Guild is donating mini-art quilts
to the Starkville Arts Association scholarship auction,
and FPA designed and quilted an entry for the event:




 Prof. Rowam Haug leads the workshop:





Kim cuts the fabric into strips:



 



Can you spot FPA's hand-dyed fabrics?


Brittney sews the layers all together:


 Here I am, looking useful!


Turmeric dye, front AND back!
 Nice intuitive quilting, Brittney!




 Hand stitched binding:


Corner pockets for the dowel rod:


Ready to hang:


What a beauty!
 

The Mini-Quilt theme is "Seasons".
There was much debate as to the season
represented in the FPA quilt.
Some say Summer; others say Fall.
I vote "Late August".

Suggested Readings:






Here in Mississippi

Here in Mississippi, where I have taught for the past year,
the holy trinity for most is family, football, and church. 
This model presents me with a unique teaching opportunity
in a region dominated by sports and Baptists.

Many of my students are able to accept only two of three
dominant search modes for universal understanding: Theology, Science, or Art.
 Though all three strive to order the raw data of our perceptions
into familiar structures, many a young Mississippi student cannot reconcile
faith and evolution, or self-expression and service to community.

In New Jersey, Indiana, Kentucky, and Mississippi,
I have encountered a common challenge:
in order to teach effectively,
I must learn the cultural language that my students speak
as I speak to them in the language of contemporary visual arts.

FiberPaperArt Club (FPA)

FPA had a great week. Tuesday evening found club members in Briscoe taking a letterpress workshop with Prof. Suzanne Powney. Suzanne will lead FPA members in a series of paper-based workshops this semester. This week, everyone had a chance to run the press - first for blind embossing and then all inked up. Later this month, she will meet with the club to teach everyone how to make a simple pamphlet with letterpress cover. In early November, she will teach us more complex bookbinding. You will never be without a sketchbook once you learn these techniques. This summer, I made a simple pamphlet from left over brown paper bags for my mountain profile studies:








Suzanne's are much prettier:


Final product for Workshop #1:



Other moments in letterpress:



While in Studio B,
the professionals were at work:


On Wednesday evening, we met as we do every week in Stafford.
This week, we sample dyed with turmeric:











Next week, we will use these samples in mini art quilts.

FPA members will present the art quilts
to the Golden Triangle Quilt Guild.
The Quilt Guild will donate mini quilts to
the Starkville Arts Association for their scholarship drive.

If you want to play with color and learn quilting basics - see you next Wednesday!

Also, Molly showed us this super fast baby blanket that she made:


Molly will send out a material list for everyone interested in making their own
and will lead the tutorial - maybe in two weeks?